The "chaos" technique, used in the construction of our work is inspired by the meeting point of several ideas: Firstly an interest in how the scientific discoveries of the universe’s chaotic nature can influence what we make. When looked at closely, no object is symmetrical or exact in its dimensions or shape, just as no colour is pure, and no surface smooth. Why then do manmade objects tend to be symmetrical? Is it a response to our symmetrical bodies, simplicity of construction, or a love of conformity? Why do we strive for perfect proportions even when they clash with function? Why do we aim for perfection when it is impossible to achieve?
Secondly, when considering which timbers would complement each other, which would clash, and which were too similar, we have discovered that with enough variety, such considerations become redundant. Many timbers bring out an appreciation of each individual piece as opposed to their relation to each other. A chaotic mixture of woods becomes harmonious and balanced.
The last idea was one of how to make items of furniture without using the traditional construction techniques that tend to force a limited array of design possibilities. By using a “chaotic” construction technique we have broken free of traditional boundaries whilst still retaining an understanding of how to work with wood. A technical appreciation of wood that is borne of the Arts & Crafts movement has been able to escape their sometimes overbearing attitude towards “truth to materials” and “honesty”.
Click here to read a profile of Ian Spencer and Cairn Young in Good Woodworking (UK).
